Nature and Man are both anarchic and rebellious; each can create revolution in its own way! Colour, both natural and synthetic, is no exception and you will soon find that by adopting an experimental approach you will reveal some unusual and exciting functions of colour.
Every time I start reading in Exploring colour (experimental approaches to colour and stitch with Julia Caprara) I just want to close it, jump up and start collecting colors in a notebooks! I don’t know why, but there is something magic with how Julia Caprara presents the exercises in the book that just gets me going. I guess it has a few explanations, one being that I already love collecting colors and filling notebooks, I just didn’t knew I collected colors and didn’t do it with any special intention earlier…
The books target audience is embroiderers and textile artists, but I think you can use it what ever art form you’re in to right now. There is a chapter on colour theory where Caprara talks about colour harmony, the complimentary colour contrasts as well as primary and secondary colors, tints and tones and how we can combine colors in different ways.
My favorite part of the book is “the assignments” that you get along the way, and of course the yummy images of pastel crayons, embroidery close-ups and open sketchbooks. The images are beautiful and the assignments are written in a way that I can?t resist them. They are all fun exercises, the first one for example is to get a small notebook and start collecting colours within one colour family in it! I’ve already started one, and I’m having so much fun just seeing my colour everywhere. I choose pink for my first colour sketchbook…
Caprara suggests using oil pastel crayons, coloured pencils, watercolours, scraps of paper, bits of fabric and yarn etc. and gluing it into your sketchbook as you collect your colour. She writes:
Be prepared to be experimental and inventive, and take note about how you feel when you work with different materials.
She suggests that you examine how different hues goes together and also how other colors work with your colour family. When you write notes in your journal collection you will see how it comes alive, and years later you can return to it and remember your discoveries. Caprara gives lots of suggestions on how you can enhance your collection, narrow it down or widen it, collect around words or poems or sketch from nature.
Later in the book Caprara has even more fun assignments, and in the later half of the book she describes how we can paint with stitch, experiment with different embroidery techniques and use the colour collections in our fabric design. There are suggestions and ideas in this book to keep a full time artist busy for a year or two, but collecting colours and experimenting with them is a life project. You can tell Caprara has taught many inspirational workshops in her life when you read her book. I will take this book down many many times form the book shelf to get inspirational infusions and new colour combination ideas. I’ve already read it three times now!
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English textile artist Julia Caprara was the director and principal of Opus School of Textile Art that she started together with her husband Alex. Julia Caprara sadly died in 2008. I really like Caprara’s style and would love to read her other book The Magic of Embroidery (1993) but it is not available at amazon, so I guess ebay will be the place to look for it.
Stitches, straps and layers
I’ve also read Maggie Grey’s own most recent book called Stitches, Straps & Layers (2009). It’s a beautiful book with lots of extremely yummy and very layered images of fabric surfaces. In the book the aim is to build textiles from the bottom up and recycle the materials you already own as much as possible.
I love the photos but can’t really say I’ve been inspired to do anything in the book (yet). Oh except maybe when I was sewing paper strips on the sewing machine? Now that I think about it I guess I was inspired by the straps in this book! The biggest reason I haven’t dived into making projects from the book is because I don’t own the things required, like abaca paper, vanishing muslin, foil, misty fuse, carrier rods, paintsticks, puff paint, adirondack paint or even a heat setting tool! What, you say, you don’t own any of these things? It feels kind of strange to have to buy quite a few new stuff as the book says it’s all about recycling! With that philosophy in mind I would have thought I could at least try to start experimenting, but I can’t do any of the projects with what I own… :-( I wish I had more money. Always.
If you’ve got some experience in mixed media fabric art though (and own some foil and other fun materials), I think you’ll want to explore the projects and ideas in this book.
Oh, by the way – you can find very cool Free tutorials (downloadable PDF-files to print) at another of Maggie’s sites! I love these pdf’s and I’ve downloaded all of them! Check them out.